Gen Art DJ Competition

I will be one of the judges for this, so get your submissions in by June 6th!

To enter go here: DJGenerationCompetition

Another sign of the musical apocalypse

The Jedi’s have felt a grave disturbance in the Force. The scales have been tipped to the Darkside.  Evil has entered the world once again in the form of ARK Music Factory and the Hell they have unleashed with Rebecca Black’s “Friday”.  In case you are deaf or have limited brain function I’m going to tell you exactly why this song monstrosity should make you angry.

1. Lyrics sound like they are written by a remedial 1st grader.
Granted, she is only 13 and should not be singing about anything too adult, but you wouldn’t even catch Elmo singing this.  The scary thought is that this was written by adults who see themselves as professionals.

2. The scary guy that missed the rap bus.
Seriously, what is he doing in this video with a bunch of 13 year-olds. I’m not an ageist, but if you are getting in to the rap game at 40+ using a 13 year-old girl’s video to start your career, NO! Bad dog.

3. Lack of anything remotely close to genuine musical composition.
I know they call this music, but this pathetic attempt at trying to create a hook by using Auto-Tune and patterning the vocals on the beat structure doesn’t cut it.  Just because it may technically be music, doesn’t mean I put it in that category. Technically a platypus is a mammal, but seriously, wtf?

4. Auto-Tune.
Seriously, I hate the over-use of Auto-Tune. Subtly correcting a note or two is one thing, but over your whole track? Maybe you shouldn’t be singing sweetie. Sadly even Auto-Tune can’t correct how bad this song is.

5. The video looks like an epileptic 2 year-old’s sketch pad.
Granted, the video is better than the song itself as it didn’t make my eyes bleed, but whoever is funding this monstrosity could have at least ponied up the $10 for the deluxe package video at the mall booth.

6. It is not unlike a lot of other pop music out there.
As awful as this song is, it is not far off, and is modeled after a lot of current pop songs.  Just compare these lyrics and rhythm structure to any one of the pop chart hits, like Lady Gaga’s “Telephone”. This song uses a pop formula, but as they have hopefully learned, formula’s do not create good songs.

7. It’s probably going to be a hit and inspire them to make more music atrocities.
Despite that this song has become famous for being so awful, they are making money off it. People are already rationalizing it and trying to say it is good because it exposes pop music for what it is. It’s not, it’s not good. Don’t buy this, don’t help them make money so they can turn around make more music. Please, I am begging you.

8. It is has no soul.
Ever watch a porno with the sex moans dubbed in? That has more feeling than this. I’ve known white people with no rhythm on the dance floor with more soul than this song. Seriously, this song has no soul, want to know why your brain hurts when you listen to it? This song is a zombie, it eats your brain. Maybe not… zombies might have more soul than this song. I hate this song.

I know I am adding to their clicks and potential money-making opportunities by posting this, but it really is from a public service stand point.  Remember those videos and photos you had to look at in Sex Ed class? The ones with all the diseases and warts and what not to scare you?  Be scared, or be scarred.

****WARNING!!!****

I listened to this song a couple of days ago and it is still hurting my brain, watch at your own risk.

2011 GRAMMY Style Studio Recap

Here is a little of what you missed at the 2011 Grammy Style Studio. Thanks to Papa Joe, Chris, Michael, and the rest of the crew! And don’t worry everyone, I don’t plan on quitting my day night job.

Part 1:

Part 2:

Drugless drugs! … wait… what?

I was recently asked what I thought about binaural beats and more specifically i-dosing. Now, I know there is a trend of interweb goers to be a bit on the ADD side, so I will try to keep my thoughts on this matter simple and brief.

Can music get you high?
Simple answer no, complex answer yes, sort of. Drugs physically and directly alter your brain chemistry in various ways and with varying levels of intensity as to produce the effects that are associated with each of them, their respective “highs”. As a result of the alterations and intensity thereof, people often have very intense and traumatic experiences (both positive and negative). Under these circumstances, people have been known to develop post-traumatic stress disorder. PTSD can lead to what both hippies and war vets (and some divorcees) call “flashbacks”. A flashback usually occurs when something triggers a memory related to a traumatic experience, this could be physical stimuli or even a thought or emotion. Flashbacks can be so intense, that people can relive the event to a very powerful degree, experiencing anything from “tracers”, fear, euphoria, or intense war related events, which are commonly associated with Vietnam vets.  Like-wise, people can become so addicted to the physiological effects of the drugs that they can develop behavior altering addictions. We tend not to see the same results (at least in any similar intensity) from music.

So are the binaural beats altering brain chemistry like a drug or inducing some sort of flashback? My guess is the latter. Though music can alter the brain chemistry temporarily, I don’t think that is what the key element in what is happening here, at least not with any intensity to be akin to the “high” received from drugs. I acknowledge that there have been studies suggesting that music can cause the release of endorphins and even create a kind of addiction, but so does chocolate and we can hardly call eating a snickers bar getting high. Music on its own just doesn’t seem to have the level of intensity that drugs have. There doesn’t seem to be any evidence of long term effects or physiological side-effects generally associated with brain altering drugs. In reality, binaural beats themselves are more like an auditory illusion than some sort of mythical mental “brown note“. What I think is more likely happening is that, in some cases, these frequencies are triggering some kind of flashback or are triggering some kind of pre-existing chemical imbalance.

Don’t get me wrong, I very much believe, have witnessed, and have experienced first hand the powerful effects music can have. For example, in my late teens the song “No Quarter” by Led Zeppelin triggered some genuine fear in me the first few times I heard it. It was quite some time before I could bring myself to listen to it all the way through. Now it is one of my favorite songs. The question is do I think the song itself was altering my brain chemistry like a drug to produce the fear or triggering something like a repressed memory or some kind of teenage hormonal issue that was pre-existing? The simplest and most likely answer is that it was triggering something already there and not altering my brain directly to produce the effect of fear.  This is one of the important distinctions, indirect effect vs. direct effect. Some of you will naturally want to argue that “well, if the effect is the same then it is the same blah blah blah…”, no. Experiencing the traumatic event itself and having a triggered flashback or memory related to that event are not the same.  The sources of stimuli are very different, not unlike seeing an actual body of water and seeing a mirage of one.

One last quick point on the matter, people (especially youths) can be very suggestible. If you tell them they will experience something a certain way, there is a real chance they will. The brain can play some messed up tricks on us, isn’t it likely that several of these cases are the result of suggestion? Look at it this way, if you really could consistently and directly make people react this way by sound alone, don’t you think the government and ad agencies would already be using it to control us? (That’s a free one for all you conspiracy theorists, but I better not read anything about how the government used binaural beats to make us believe 9-11 happened when it really didn’t or binaural beats were what killed JFK or anything like that.)

Conclusion
Are people really getting high (in the sense of a drug high) from binaural beats? Not likely. Some of you may not care because if it seems like you are on drugs then that is good enough for you. Like that one girl at every party that is sooo drunk even though she has, unbeknownst to her, been drinking O’douls all night.  If you are brave enough to try it, go for it. Let me know how it worked out for you, let me know if you get flashbacks in the long term.  But ultimately, philosophically speaking and physiologically speaking for that matter, there is an important distinction to be made.  Music can effect you, trigger moods, be addictive, trigger the release of endorphins, etc., but it doesn’t seem to be doing it in the same direct manner or on the same level that drugs do.  At best it is an indirect catalyst, not a direct cause.

The “Not Your Jukebox” rant…

This page is meant to start a revolution, or rather work to put back right what has now gone wrong. People used to go to the clubs and raves to hear what they couldn’t hear anywhere else, to hear what WOULD be coming to radio, or maybe stay solely on the dance floor. The night life used to be the cutting edge, the musical frontier. Now it is often just a repetition of what you have been subjected to all day long.

Technology is awesome, it puts everything in the palms of our hands, instantly. It makes us masters of time and space and helps to instantly fulfill our every desires. But technology has also made us spoiled, lazy, isolated, and closed-minded. We expect to get, or in the case of music, hear whatever we want when we want. That is great when you are at home, at work, or in your car, but you should really relinquish your obsessive control freak behavior when you step on to the dance floor.

I understand you will go through withdrawals and might be uncomfortable for a moment. I know it is your favorite song, that is why you listened to it 30 times already today. Yes, yes I know you consider yourself quite the DJ and you have some really cool playlists. Yes, I know it is your birthday and that you brought everyone here. I am glad you informed me that no one is dancing to what is playing because no one likes it and of course you have impressed me with your musical knowledge of all the artists and songs you just requested and I know that you are stunned I don’t have or know about them all, but take a break from ruling every aspect of your kingdom for a couple hours and let someone else do the work.

I hereby challenge you all to open your minds, to let go of the song you have been listening to 30 times a day and accept that you may or may not hear it tonight. Open your minds and understand other perspectives of music and someone else’s interpretation of selection and order. Be on the cutting edge again and dance, dance, dance. DJs and musicians, I challenge you to say no to the crowd when they push you, work with them yes, but you are not a jukebox, don’t let them expect you to be. It screws us all.

I encourage you to post parties, music, and ideas that pertain to this revolution. Push forward creativity and open your minds to new experiences and be free. And quit giving the DJ crap.

You can join the revolution (in part) here:
Not Your Jukebox

It begins… (start 2001 theme music)

I guess it is time to jump into the whole blogging thing. Here we will focus on Music, Philosophy, Humor, and whatever else I feel like posting and the corresponding ranting/bitching.

Since I am on my iPhone writing this, this is all you get today.