Analog vs Digital vs Digital: Are we killing our dance culture?

I’m not opposed to change by any means. Change is crucial to life and growth.  It’s just sad when valuable perspectives, experiences, and lessons get lost as a result.

There is a lot of discussion in dance culture around vinyl vs digital, cd vs laptop, mixing vs programming, etc etc.  Those who embrace the new defend it, those who have mastered the past defend it, insults are thrown, pride is put to the test, but most importantly, there is a key discussion being ignored.

For those of you who are too new (and by new I really mean anyone in the scene for about 15 years or less) to really have experienced the history of the dance culture and electronic music scene there are some things you need to understand (don’t worry I have some words for the old-timers too).

Most of us in the early years of the scene had to constantly fight. We had to fight for space, for sound, for music, for a voice, for validity. Many of us didn’t even know we were fighting, we were just deeply connected to the music and had to express it, whether making it, playing it, or dancing to it. It was even a fight just to get the music.  It was expensive, limited, and you had have the hook-up to get the choice new releases in your area before someone else did.

The music was a necessity for us, the very essence of us. We were mocked, we were told it was garbage, it wasn’t real music, that it was a passing fad.  Because we were so connected to the music and identified ourselves through it, this meant they were calling us garbage.  We banded together, we built communities, philosophies, and we danced our asses off because it was who and what we were.

Every record was special, it was a weapon in the battle for validity.  Every scratch, imperfection, and skip was a memory of a party, an experience, a good time, a bad time.  We didn’t replace our music every week, we played it until it wouldn’t play anymore.  And even then we might try to play it a couple more times hoping that it had somehow magically healed itself through our pure love of the song. Long story short, we weren’t just connected to the music, we were the music.

Things are different now. People interact with the music differently, they relate to it differently, they express it differently.  There are a lot more people in it for money and fame as opposed to the pure need to express and connect with the art. Because of the foundation that was built, there isn’t nearly the fight for validity there once was (proven by the fact that dance music is in the top-40 mainstream).  There is a mass consumption of a product that we spent decades forced to keep underground.

This is something the old-timers need to recognize beyond the obvious.  These newbies aren’t connected to the music they way we were/are. They aren’t seeing the house built from the ground up, they are inheriting the family property. That’s not to say it is better or worse, just different.  We fought so they didn’t have to, they explore new ways to express it, some good, some bad, some down right insulting to those of us who have spilt blood, sweat, and tears. We can’t expect them to get out of it what we did because they aren’t building the scene, they are inheriting the scene.

The discussion should not be about what equipment they express on, or what medium they use, but rather do they have talent at what they do?  Is there effort, art, passion, connection, and most importantly, respect? That is what is important here. Are they pressing play or are they creating art? We old-timers can learn some new tricks from you newbies, and newbies we can show you some foundations and perspective that make this meaningful and an art form, not just a revenue stream or a way to get laid.

The reason I implore all of us to switch the focus of the discussion is because we are at a delicate turning point in our culture.  As something becomes consumed on a mass scale, there is danger of that thing being consumed to its extinction.  How many forms of music, fashion, art, etc., have been destroyed because it was over-consumed and the meaning, art, and specialness were forgotten and lost?

I love this music, these people. I want it to last as long as possible.  I want it to remain a meaningful culture.  Not just some ‘in’ product that will be thrown to the wayside because it becomes a gutted shell. Let’s keep dance music a meaningful art form, a culture with a rich history and that focuses on talent and passion.  Being in the top-40 realm isn’t inherently bad, but unless we maintain a level of quality, an understand of the roots, and pure connection to the passion and art of our culture, we will lose it. And rightly so.

Friends don’t let friends become a DJ Pauly D.

Just say no.

So, you want to be a DJ?

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Having been a DJ for nearly two decades now, I’ve picked up a thing or two. I often get asked for advice on the art of DJing (where to start, tips, tricks, etc.) so I’ve decided to lay out some of my more consistent tips and lessons for people in the beginning and intermediate stages of DJing. They may seem harsh at times, but if you don’t have a thick skin, this is the wrong industry for you.

Tip One: Don’t.

Seriously, don’t start. Not only is it an over-saturated market with people constantly getting undercut and bumped by people who, in all honesty, don’t deserve to be in the industry, but it is being flooded with people who really just don’t have the chops for it. Over the last few years it has become the hip new thing and seen as an avenue into easy fame and fortune.

If you are looking for popularity, to be cool amongst your friends, get laid etc., stick to your own house parties, turn your garage into a dance floor whatever, just stay out of the professional realm. There is nothing easy about this industry if you are doing it correctly. You need to have an unhealthy obsession with music to ride it out the long run. DJing will ruin the life you have as you know it. You will lose friends, lovers, sleep, work, it will be impossible to lead any kind of ‘normal’ life. There are benefits, don’t get me wrong, but most of them result out of having the sort of obsession with music required to be a professional DJ.

Two of the biggest factors that have kept me surviving and growing in this industry are that I absolutely can not live without music and I am too stupid to know when to quit.

Tip Two: Study the History

If you are still reading these tips then you either have an unhealthy obsession with music or your ego is so bloated that you think you are good enough and deserve to be a DJ. You probably think you have some new perspective or new way of doing things. Back here in reality, odds are you don’t.

With any subject matter or trade it is critical to know the history. Where did it come from, who were the pioneers, what worked, what didn’t, etc. Without knowing where it started you probably aren’t going to be able to take it to any sort of new level, you’ll just be repeating what’s been done, and trust me, it has been done. Watch the documentaries, read the books and blogs, listen to the old sets and sounds, etc. Talk to and LISTEN to those that have been doing it for a long time, there is a reason they are still around, despite how much better than them you think you are. If they are working, getting paid, and making people dance, they have done something right to get there.

Respect is often a missing component in the industry these days, but absolutely critical for the industry to survive and thrive. Don’t kill the industry with your lack of respect and ego. Study, learn, respect.

Tip Three: Practice and Record

Practice all the time. This is a skill, and though you either have the foundation skill or you don’t, you still need to develop and improve that skill by actually doing it. A good starting point is to start with two copies of the same song and mix it every possible way you can think of. It doesn’t matter what song, just something you really love and know, so you can hear clearly when the mix is on and when it is off.

Record everything you do and listen to it. You need to develop your ear, not just for beat-matching, but for programing, song keys (just because you can match two beats doesn’t mean the keys the songs are in go together). Technology has changed a lot of things, we can mash up songs that could never have gone together before, but again, just because you can do a thing, doesn’t mean you should do a thing.

Develop your ear; listen, record, and repeat until you don’t feel you are making progress, then start asking for feedback. Don’t make everyone listen to everything you do, especially in the beginning. For one, it’s annoying, your mom may like to put your scribbles on the fridge but others don’t. Secondly you will want to avoid having people’s first impression of your work be poor intro level stuff. It will stick with them longer than you would expect.

Tip Four: Learn the Gear

There are a lot of ways to DJ now. Learn as many as you can. Seriously. The technology will only continue to change, what is standard at an event now will not be later. Not to mention that different venues have different gear and different sound systems. Ask around, everyone is a DJ now anyway so it won’t be hard to find different gear to practice on, and who knows, maybe they are good enough to show you the proper way to use it.

Learn vinyl, not just Traktor or Serato, but vinyl. You may be naive enough to think it is an out-dated and dead format, but there are valuable lessons to be learned by using it. There are elements and lessons you can learn by using that vinyl that can never be replaced. Vinyl has a certain soul and history that you have to take part in if you really want to be serious in this industry. All the new tech is trying to maintain the principle and feel of vinyl while offering new tools that vinyl doesn’t provide. Think there might be a reason for that? Plus, honestly, it just takes more skill to DJ vinyl, all you have is you and the music, no bpm counter, no key meter, just you and your (hopefully existent) skill. In fact, vinyl can be a good judge of whether or not you should even be a DJ. If you can’t DJ on your own, why should you be considered one? If the technology is doing all the work for you, your computer is a DJ, you are not.

When you buy your own gear don’t skimp, you will only be sorry when you replace it for better gear. This isn’t a cheap industry to get into (cheaper now than it was, granted), but you want stuff that will last and when you do eventually play out at a decent venue, you will know how to use the gear and not get nervous because it is way more advanced than you are used to.

Tip Five: Produce

If you want to get anywhere in this industry you need to be making music. I’m not talking about cutting and rearranging someone else’s music and calling it an ‘edit’ or trying to pass it off as a ‘remix.’ And I’m not just talking about making some mediocre stuff and putting it out on your friend’s label or even worse starting your own label because no one is picking up your music. I’m talking about making good music, music that other people buy and play. If you don’t have the music making talent, you can still DJ, but don’t expect to make it to the top.

To learn my tips on producing, refer to the above tips, same principle.

These are by no means all my tips, but if you want more you will probably have to prove to me that you are not just another douche bag trying to be cool and looking for an easy fix.

Old, but still valid:

2011 GRAMMY Style Studio Recap

Here is a little of what you missed at the 2011 Grammy Style Studio. Thanks to Papa Joe, Chris, Michael, and the rest of the crew! And don’t worry everyone, I don’t plan on quitting my day night job.

Part 1:

Part 2:

“Granny Panties” have never been so cool…

This is one of the best things ever. Enjoy.