Artist, er plagiarist spotlight: David Herrero, the man who stole from Underground Resistance

Shame_on_You.pngEven if you don’t know David Herrero by name, there is a good chance you’ve heard his productions or have seen him DJ somewhere. With releases on such venerable labels as Cr2, Nervous, and Defected that have been supported by the likes of Marco Carola, Loco Dice, Nic Fanciulli, Richie Hawtin and many others, as well as having played at internationally known clubs like Space Miami, it’s pretty obvious that David has quite a bit of experience in the underground music business.

So why then, with all this experience, would he sign a track to Chus & Ceballos‘ label (Stereo Productions) with an unlicensed vocal? Cornelius Harris, vocalist for Underground Resistance, is wondering the same thing. In a recent post on Facebook, Cornelius made his feeling clear to the label owners:

“Hey Chus & Ceballos, I have to be honest, discovering that you took my voice and used it for one of your tracks WITHOUT contacting me or anyone else associated really pisses me off. Take that crap down NOW. No joke.”

We at Not Your Jukebox concur with Cornelius’ sentiment and are wondering what would drive someone to do this. Especially someone who, per his biography, “live[s] for music” and when he goes to the studio, its “with the same excitement as the very first day.” Until David explains himself, we have a few theories of our own:

  1. He didn’t produce his own track. Given the sheer number of productions with his name (nearly 600 releases on Beatport), and in light of the known and rampant use of ghostwriting in the industry, we find it highly suspect that he would actually have that much creative juice running through him (especially after listening to several of his tracks).
  2. He didn’t realize that he didn’t have or need permission to use the vocals. There is always a chance he is just an idiot, even despite his proclaimed longevity and knowledge in the industry.
  3. He just plain old-fashioned thought he would get away with it. He would have gotten away with it too if it wasn’t for those meddling kids interwebs.

Personally, I think it is a combination of all three (keep in mind, the original track is titled Transition and David’s is Make Your Transition, I mean come on). Unfortunately, in the end, I suspect we won’t hear from David and that the offending track will eventually be erased from the internet as much as possible. Even Chus & Ceballos’ reply to Cornelius was a meek and garden variety, ‘whoops we had no idea’. But I am curious, how many other people have been ripped off by this “artist”?

Feel free to let David know your own thoughts on the matter. At the very least, you can always, gently, educate him it is never a good idea to mess with Underground Resistance and that maybe he should offer Cornelius an apology.

***UPDATE***

Seems there is another very similar rip off by Gonzales & Gonzalo on KD Music.

The original track:

 

The offending track:

 

Another offender:

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Reaching a new level of fakers: label boss rips off classic and calls it his own

shame-on-you

Via the wonderful world of the interwebs and social media a big no-no was brought to our attention. There has been a lot of talk (again) of ghostwriting and people getting credit for work they didn’t do, but we have for you an example that is on the extreme end of that spectrum. First, enjoy this wonderful piece of house music by Tim Deluxe on Underwater Records that was released in 2001, pay special attention to the sax (by Jamie Anderson) and around time mark 3:30.

Great track right? Now listen to the preview of this track “by” Xavier Jacome aka DJ Rip (no, seriously) on his label Butta Records that is scheduled to release this month (#1 on Traxsource’s June 8th Featured Jackin House Essential list no less):

http://embed.traxsource.com/player/track/2553952

No, you aren’t going crazy, those are the same song. What’s worse is the text found in the info section:

Finally after all my labels works I had some time for my passion. Making music. This is what happens when you put me, a talented saxophone player and some whisky in a room for 48hrs!! Chicago representing!!!

Mastered by Xavier Jacome @ Direct Drive Digital Studios

This, kiddies, is another important reason as to why it is ever so important to do your homework and understand there is a wide breadth of great music out there: to prevent scumbags like this from making money off of work that isn’t theirs.

Even giving Faker Xavier (as he shall henceforth be known) the benefit of the doubt that maybe, yes, he was super drunk on a two day whiskey binge and maaaaaybe he just got confused and was making a song while ripping a classic track from the youtubes and, yes, some file names got crossed and he accidentally submitted this track to the distributor instead of his super awesome original, even granting him all that, he’s still an idiot. And a bad label boss for not doing some quality control.

While I haven’t seen any response by Faker Xavier just yet, I’m anticipating either the Vanilla Ice defense (mine goes ding ding ding *ting* duh-da-ding ding) or something akin to Lady Gaga’s “it was just a tribute” route. Either way, shame shame I know your name, Faker Xavier.

But to be fair, maybe there is a good explanation; like he is also friends with Jamie Anderson and they were so drunk they just inadvertently made the same song or in some weird cosmic coincidence two pairs of people at two different times more than a decade apart just happened to make the same track. Let’s make a game of it shall we? Come up with your best excuse explanation for either why this isn’t the same song or for why this was just a simple mistake. Ready, set, go.

***UPDATE***

DJ Rip (off) is “officially” blaming it on a label error as the label (him) can’t possibly catch all the submissions that are previously released. But… um… his name was on the track for his label, so a) did he not catch his own fraudulent submission or b) did he steal someone else’s fraudulent submission and slap his name on it?

***UPDATE***

Looks like the song has been removed from Traxsource. Good job to everyone who made some noise on this… who’s next?